De la protesta a la fiesta: la performatividad de los colectivos de danzas y músicas andinas en Chile posdictatorial

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dc.catalogadorgrr
dc.contributor.authorCortés Rojas, Ignacia
dc.date.accessioned2024-01-29T20:28:30Z
dc.date.available2024-01-29T20:28:30Z
dc.date.issued2021
dc.description.abstractThe main objective of this article is to reflect on the performative practices of communities of dancers and musicians calling them- selves Andean in the context of social demonstrations in Santiago de Chile after the period of social revolt started on October 18, 2019. Based on photographs, audiovisual records and interviews, this paper presents an analysis of the modes of participation of these groups in two spaces of political and festive enunciation that converge in the city: protests and popular carnivals. The hypothesis is that these groups, through their performances, have installed in both spaces the importance of enjoyment and celebration from a critical political dimension, employing for this purpose sound aesthetics, visual and choreographic of the Bolivian folklore-mostly-and forming, over the years, an Andean circuit in the city. This circuit stresses the cultural conformations of the "properly Chilean" to produce dynamic festive spaces that have called to decolonize the city.
dc.description.abstractThe main objective of this article is to reflect on the performative practices of communities of dancers and musicians calling themselves Andean in the context of social demonstrations in Santiago de Chile after the period of social revolt started on October 18, 2019. Based on photographs, audiovisual records and interviews, this paper presents an analysis of the modes of participation of these groups in two spaces of political and festive enunciation that converge in the city: protests and popular carnivals. The hypothesis is that these groups, through their performances, have installed in both spaces the importance of enjoyment and celebration from a critical political dimension, employing for this purpose sound aesthetics, visual and choreographic of the Bolivian folklore-mostly-and forming, over the years, an Andean circuit in the city. This circuit stresses the cultural conformations of the “properly Chilean” to produce dynamic festive spaces that have called to decolonize the city.
dc.fechaingreso.objetodigital2024-01-29
dc.fuente.origenScopus
dc.identifier.doi10.29344/0717621X.44.3008
dc.identifier.eissn0716-5811
dc.identifier.issn0717-621X
dc.identifier.scieloidS0716-58112021000200113
dc.identifier.scopusidSCOPUS_ID:85120827644
dc.identifier.urihttps://doi.org/10.29344/0717621X.44.3008
dc.identifier.urihttps://repositorio.uc.cl/handle/11534/81048
dc.information.autorucFacultad de Letras; Cortes Rojas, Ignacia ; 0000-0001-6970-969X; 1070667
dc.issue.numero44
dc.language.isoes
dc.nota.accesoContenido completo
dc.pagina.final139
dc.pagina.inicio113
dc.revistaLiteratura y Linguistica
dc.rightsacceso abierto
dc.rights.licenseAtribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
dc.subjectAndean dances and music
dc.subjectParty
dc.subjectPerformance
dc.subjectProtest
dc.subjectSocial demonstrations
dc.subjectDanzas y músicas andinas
dc.subjectFiesta
dc.subjectEstallido social.
dc.subjectAndean dances and music
dc.subjectProtesta
dc.subject.ddc700
dc.subject.deweyArtees_ES
dc.titleDe la protesta a la fiesta: la performatividad de los colectivos de danzas y músicas andinas en Chile posdictatorial
dc.title.alternativeFrom protest to party: The performativity of dance and andean music collectives in post-dictatorial Chile
dc.typeartículo
sipa.codpersvinculados1070667
sipa.trazabilidadSCOPUS;21-03-2022
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