Interpretación musical como investigación: Una perspectiva desde la práctica interpretativa de música reciente para guitarra

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dc.catalogadorjwg
dc.contributor.authorCastro Magas, Diego Sebastián
dc.date.accessioned2024-10-21T13:57:43Z
dc.date.available2024-10-21T13:57:43Z
dc.date.issued2020
dc.description.abstractThe aim of this study is to make the case for the creative practice of performance of notated music as research. Discourses and problems on the relation between artistic practice and research are discussed, as originally posed in the UK and Europe, examining the particular issues of music performance through current models. The role of music analysis is particularly considered, as well as the importance of embodied knowledge (also known as tacit knowledge) on these interpretive processes. These models are applied into the author's own practice through two case studies from complex repertoire for solo guitar with pieces by Brian Ferneyhough and Wieland Hoban. The epistemological contribution of these models is assessed, as well as their impact upon sound as exemplified in a variety of multimedia files showcasing performances of the author as well as other performers. After claiming that the aim of practice-as-research is making explicit the tacit, the pertinence of the model here delineated is interrogated on these terms.
dc.fuente.origenScopus
dc.identifier.doi10.7764/RES.2020.47.8
dc.identifier.eissn07195702
dc.identifier.issn07195702 07173474
dc.identifier.scopusidSCOPUS_ID:85111155958
dc.identifier.urihttp://resonancias.uc.cl/es/
dc.identifier.urihttps://doi.org/10.7764/RES.2020.47.8
dc.identifier.urihttps://repositorio.uc.cl/handle/11534/88298
dc.information.autorucInstituto de Música; Castro Magas Diego Sebastian; S/I; 13459
dc.language.isoes
dc.nota.accesocontenido completo
dc.pagina.final145
dc.pagina.inicio123
dc.publisherPontificia Universidad Catolica de Chile 1
dc.revistaResonancias
dc.rightsacceso abierto
dc.subjectBrian Ferneyhough
dc.subjectComplex Music
dc.subjectGuitar
dc.subjectPerformance-as-Research
dc.subjectPractice-as-Research
dc.subjectWieland Hoban
dc.subject.ddc700
dc.subject.deweyArtees_ES
dc.titleInterpretación musical como investigación: Una perspectiva desde la práctica interpretativa de música reciente para guitarra
dc.title.alternativeMusic performance as research: A perspective from the performing practice of recent music for guitar
dc.typeartículo
dc.volumen24
sipa.codpersvinculados13459
sipa.trazabilidadScopus;12-10-2021
sipa.trazabilidadORCID;2024-10-21
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