Imaginario apocalíptico, cuerpo y tecnología en Apocalpyse 1900 y Farabeuf o la crónica de un instante de Salvador Elizondo

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dc.catalogadorjca
dc.contributor.authorDe Los Ríos Escobar, Valeria Alejandra
dc.date.accessioned2025-04-04T16:13:51Z
dc.date.available2025-04-04T16:13:51Z
dc.date.issued2012
dc.description.abstractThe same year that Salvador Elizondo releases his film Apocalypse 1900, which will remain archived in cans until 2007, he also publishes Farabeuf o la crónica de un instante. This survival and recovery of the film archive illuminates the literary text and allows us to see what was always there: Farabeuf is not only an intermediate book –which incorporates and reflects on images– or an experimental book that takes Bataillean aesthetics to its ultimate consequences, but, above all, an intervention in the archives of modernity, a montage-writing that intervenes in and from certain archives that define modernity. This paper proposes to analyze Elizondo’s novel and film from these postulations, trying to think about the place of his intervention in Latin American literature and the arts of the twentieth century from a postphilological and anarchivistic perspective.
dc.description.funderEditorial
dc.format.extent18 páginas
dc.fuente.origenSIPA
dc.identifier.urihttp://www.revistaestudios.com.ve/estudios-39
dc.identifier.urihttps://repositorio.uc.cl/handle/11534/103131
dc.information.autorucInstituto de Estética; De Los Ríos Escobar, Valeria Alejandra; 0000-0002-0456-7720; 95064
dc.issue.numero39
dc.language.isoes
dc.nota.accesocontenido parcial
dc.pagina.final37
dc.pagina.inicio19
dc.revistaEstudios: Revista de Investigaciones Literarias y Culturales
dc.rightsacceso restringido
dc.titleImaginario apocalíptico, cuerpo y tecnología en Apocalpyse 1900 y Farabeuf o la crónica de un instante de Salvador Elizondo
dc.typeartículo
dc.volumen20
sipa.codpersvinculados95064
sipa.trazabilidadHistorial Académico;09-07-2021
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