Poética de los objetos en el cine de Raúl Ruiz
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Date
2024
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Abstract
El siguiente artículo indaga sobre las formas y sentido estético que asumen ciertos objetos singulares en la obra chilena inicial del cineasta Raúl Ruiz. Esté análisis considera como factores de identidad objetual una variable icónica, otra funcional y una simbólica; y como medios de consistencia expresiva tres poéticas materiales denominadas de “cuerpos vítreos”, “juguetes” y “proyecciones”, que tendrán representaciones escénicas en toda la obra sucesiva del cineasta.
The following article explores the forms and aesthetic meanings assumed by certain singular objects in the early Chilean work of filmmaker Raúl Ruiz. This analysis considers iconic, functional, and symbolic variables as factors of object identity; and three material poetics called “vitreous bodies,” “toys,” and“projections” as means of expressive consistency, which will be staged throughout the filmmaker’s subsequent work
The following article explores the forms and aesthetic meanings assumed by certain singular objects in the early Chilean work of filmmaker Raúl Ruiz. This analysis considers iconic, functional, and symbolic variables as factors of object identity; and three material poetics called “vitreous bodies,” “toys,” and“projections” as means of expressive consistency, which will be staged throughout the filmmaker’s subsequent work
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Raúl Ruiz, Objeto fílmico, Objeto, Cine chileno, Film object, Object, Chilean cinema